Alice happened to take her Saturday nap while Casualties of Love: The Long Island Lolita Story was having its run. I have never actually seen any of these Amy Fisher tell all movies (of which there are three, all made in 1993), so I settled into the couch with the August Real Simple, my leopard print Snuggie and some WW-friendly smores that I make in my oven. This, my friends, is what I imagine heaven will be like--just me, a silent house, a magazine and something cheesy on the tube. I really hope all that fornication doesn't keep me from experiencing it.
The movie was truly, truly horrible, which of course, means that I enjoyed the absolute hell out of it. Seriously, if I could watch that movie again, you know I would. With that in mind, I decided to see if I could find the Drew Barrymore version (CoL stars Alyssa Milano). Sure enough, some kind soul had uploaded that on YouTube. You don't have to know me that well to know what I did next. BUT! I did it for science, for posterity, for YOU, my litte sachertorte. Yes, I pitted Alyssa Milano and Drew Barrymore against each other in the ultimate Amy Fisher challenge so that you would know which one is superior and thus, is deserving of your rainy-Saturday afternoon moments. You're welcome in advance.
(And yes, I understand there is a third Amy Fisher movie starring the lesser loved Noelle Parker. But a girl can only take so many tired Long Island accents before she is committed, so I didn't watch that one. Sorry, folks. Maybe another day. And besides, Noelle kind of crashes this awesome Drew/Alyssa thing I have going on in my head, which probably gives me something in common with any dude who was masturbating in the early 90's.)
I have broken the movies into several important facets to make all this simpler. But before we start, here's a quick breakdown on each movie:
Casualties of Love (heretofore known as CoL): The Buttafuocco's version of events (and no, I'm not spelling that correctly. I refuse to google. They will heretofore be known as Mr. and Mrs. Zubaz for reasons that will become apparent later). This movie is so factually incorrect that it is laughable. In this one, Mr. Zubaz is the victim. Not because his wife got shot, mind you, but because he is an upstanding business man/family guy who some slut is fixated on. Basically, Mr. Zubaz gets addicted to the nose candy, goes to rehab, and comes back as Ward Fucking Cleaver in a mesh t-shirt. He loves his wife. You know how I know that? Because they have sex in the shower. In Lifetime world, pure, unadulterated marital love is shown in two ways: 1) children and 2) spontaneous shower sex. Alyssa Milano is the "Aimee" in CoL, so misspelled to avoid lawsuits, I assume.
The Amy Fisher Story (heretofore known as AFS): This one is no one's version of events and is pieced together from accounts from other people, not the actual parties involved. Boo-urns! And it is told in that weird, choppy flashbacky way that you see in a lot of Lifetime movies which usually means that there is some big old fat plotholes lurking around and you best not try to put it together too neatly. The story is the basic girl-gone-wrong diatribe. Amy is a wild, petulant brat whose parents indulge her every whim. I'll tell you this: I wanted to punch her through a good 2/3 of this movie. Like really punch her. She has a lot of sex with Mr. Zubaz, and some of it is pretty kinky (detailed below). There is a reporter running around through most of the movie trying to give the movie some kind of moral center about the villification of a sexualized girl, and really, all her points are valid, but you want to punch her too because she kind of makes the movie drag a bit. I don't want "feminism" and "morality" in my Lifetime movies. FUCK THAT NOISE! Give me another faked orgasm and a mom wringing her hands! That's more like it! Drew Barrymore is the Amy in this version. Slutty 90's Drew. That's a whole other bit of awesomeness right there, amirite?
The Fisher Parents: Both movies deal with Amy's parents in different ways. AFS gives them more of a spotlight in its showing, paying close attention to the mother's total denial that Amy is nothing but a slightly flawed princess. The dad, however, gets major points from me because he wears these huge 80's style glasses for much of the movie. They are truly amazing. Also, one of the better scenes in AFS is a domestic scene with the parents where Amy makes lasagna for them. Mom goes (and yes, I'm paraphrasing), "Amy, how much cheese did you put in this? Your dad has to watch it for his cholestrol." And Amy goes, "Uh, about 2 pounds." 2 POUNDS! That's when I knew she was a vile seductress. 2 POUNDS OF CHEESE. In the inimitable words of Urkel, HAVE MERCY. However, CoL takes this category on the stength of just one well played line. The parents are really played down, but there is a really priceless scene of Amy and her parents. She has just told them that she has herpes. And the dad goes (and this is a direct quote): "Amy, you said Joey gave you THE HERPES." Ladies and gentlemen, not only is that the best quote of this movie, it might be the best quote in a Lifetime movie ever. Advantage: Milano.
Wardrobe: Unfortunately, AFS really falls apart in the wardrobe department. Drew looks pretty staid in a lot of this movie, rocking some knee length skirts and a couple of tunics. WTF? A word to all you costumers out there: this is not how slutty girls in the 90's dressed. I mean, I didn't try to knock off anyone and my Blow Jobs Given to People Wearing Zubaz Pants tally was stationed solidly at 0, and I didn't dress that frumpy. However, just where AFS lacked, CoL really picked up the pace. I present to you, Exhibit One:I'm pretty sure that when Alyssa Milano finished filming this movie, she had one hell of a yeast infection. Her pants were that tight throughout the whole movie. She also wore some dynamite cropped shirts, double belts, some thigh high boots--HELL YES this is how a slutty 90's girl would dress! There was one scene in the autobody shop where she's wearing this skin tight gray cotton leggings and a tied up shirt. Matt, who was playing Civ World on the computer, turned around and said, "God bless Barry Zito," making reference to one of the many baseball players Ms. Milano used to boff. And I had to agree with him. That ass was PADOW, ya'll. I would totally shoot someone in the face for it. Advantage: Milano.
Overall Look: However, we have to remember that Amy Fisher did not look like Alyssa Milano, bless her heart. AFS does a much better job of giving us a more truthful look of Amy. I spent a good portion of the movie wanting to hold Drew down and straighten her hair because she is sporting some serious frizz in this movie. And I have to say, I loved that she had some kind of brown drawn on late 90's J. Lo eyebrows going on. And brown lipliner! HELLS YEAH. AFS kept it real with Joey too, having him spending a good amount of time wearing zubaz pants and skin tight polo's, which I think we all know is how Mr. Zubaz was hanging IRL. CoL really went for more flash on both accounts, with Mr. Zubaz even having to stand up for his flashy look to his dad. There were a lot of gold chains, some ill-advised mesh, the whole kit and kaboodle. What is funny is this is Mr. and Mrs. Zubaz's own account. So you know they were loving all that nasty stuff. Which is pretty icky, just as well, you know, banging someone underage. But for reality's sake, let's say Advantage : Barrymore.
Sexy Times: This is kind of a moot category, because CoL does not contain any Amy on Joey sex because in this alternate view of reality, Mr. Zubaz did not have sex with that woman! (Despite the fact that he would end up confessing to it.) There is that shower scene between Mr. and Mrs. Zubaz but ick. No. I refuse to comment. AFS, however, picks up the slack like mad. In fact, I read that this scene was labeled "too hot for tv"--it was in my YouTube version, but apparently edited out of the original. And it is easy to see why: there is full on boob suckage and you can see Ms. Barrymore's ass at one time. The fact that it is happening in Amy's bedroom with full on ballerina posters and shit like that hanging around is kind of a lady boner killer though. But, you know, if you are thinking of this in the more academic type way, I guess that the sex scene is good because it shows the complete and total wrongness of the whole Amy/Mr. Zubaz thing. Not me though. I'm there for the pornishness. And I have to give credit where credit is due--Ms. Barrymore does a pretty dynamic job in the scene directly before this one; her flirtations are pretty spot on, and she acts the hell out of it, playing the teenage nympho role to a tee. And well, this gets major points because I'm pretty sure it is the only sex scene ever committed to celluloid that features one of the participants having to take off his zubaz pants. Let's hope it is anyway. Advantage: Barrymore.
Overall (Tiebreaker): This is a toughie to explain because it really gets at the core of why anyone would watch a Lifetime movie. ASF is definitely the better movie--it features a more double sided view of the events, and is more factually based. There is that moral sense about the whole thing, a kind of commentary on women's sexuality and the hungry public's clamoring for it. HOWEVER. It is boring. I clicked around while I was watching it. Reading Facebook comments about soccer games suddenly became a lot more interesting, even though I hate soccer and about 85% of the time, Facebook. CoL, on the other hand, is the Disney Land version of the Amy Fisher story. It is so out of left field and just so Lifetime-y (Crazy sexual tart in fatal attraction with married man! Beautiful wife assaulted! Excuse me while I clutch my pearls!) that it is much more entertaining. Yes, it is truly a horrible movie. But, you know me. Advantage: Milano.
I can only hope that someday, there are three Casey Anthony movies out there for me to watch and pontificate about. Because you know, somewhere, Jennifer Love Hewitt is wearing a pink tuxedo shirt, practicing her dead eyed glare and just waiting on her phone to ring.